The African proverb “It takes
a Village” caused quite a stir in 1996 when former First Lady, Hillary Rodham
Clinton published her book bearing the title “It Takes a Village: And Other
Lessons Children Teach Us”.
If we stretched the point,
Khaled Hosseini’s (“The Kite Runner”) book “A Thousand Splendid Suns”, adapted
by Ursula Rani Sarma now in a spectacularly powerful stage production and West
Coast premiere at The Old Globe Theatre through June 17th bears out the village concept.
Cast and musician composer David Coulter |
Focusing on two generations of
strong Afghani women, who in essence become the village necessary in raising
each other and each other’s children, the effect and their combined unions are
more than powerful; they are essential for their survival.
Written in a time when foreign
invaders from the Soviet Union had withdrawn from their country in 1992 to the
takeover by the Islamic fundamentalist and repressive Taliban in 1996 to 2001
when the United States came to their defense to now ISIS presenting itself as a
strong military reality the people of Afghanistan and especially Hosseini’s
strong women continue to show their resiliency, their hope for a brighter
future and some real progress for the plight of Afghani women.
Into this political hot box of changing
governments and miserable hard times after relatively quiet times Hosseini
introduces us to Miriam and Laila, ‘generational women for all seasons’.
L to R) Nadine Malouf, Denmo Ibraham and Nikita Tewani |
We first meet Laila (an unfaltering Nadine Malouf) and her family. Father Babi (Joseph Kamal) is an intellectual who treasures his books especially his
poetry books. Her mother Fariba (Lanna Joffrey) goes along with Babi but is short tempered as he cannot decide which books to leave behind and which to take as they are readying to leave
Kabul for Pakistan.
They are hoping for a more peaceful life when the sounds of bombs (Jake Roriguez) fill the air coming closer and closer to the family and finally landing close enough to strike the family. Both parents are killed.
They are hoping for a more peaceful life when the sounds of bombs (Jake Roriguez) fill the air coming closer and closer to the family and finally landing close enough to strike the family. Both parents are killed.
Set against gorgeous changing
backgrounds by set designer Ken MacDonald with lighting by Robert Wierzel and
haunting original music by David Coulter played on saw blades by Coulter reflects
the times and moods as when the colors change from bright sunlight to blood
stained images when Laila has to have a caesarian birth in a hospital ward
without any morphine or anesthesia.
The pictures reflected follow
Laila as she is rescued from the shock of being hit by a bomb to her neighbors
Rasheed and Miriam’s (Haysam Kadri and Denmo Ibrahim) home.
Rasheed is a shoemaker and
Miriam a housewife. Both help in her recovery, but Miriam is hoping Laila will
leave soon. Laila hopes family friends
will let her stay with them, but Rasheed sabotages that dream.
(from top) Nadine Malouf as Laila and Denmo Ibraham as Miriam |
Miriam is having no part of it
even though she has no say in it. Her
goal is to make life as impossible for Laila as her jealousy gets in the way of
her seeing Laila as fellow traveler. Having been abused by Rasheed over the
years, she might understand that kindness and compassion works better than
revenge, but Hosseini saves that for later.
Life with
Rasheed has been no honeymoon for either woman. Over the course of years and
with the upbringing of Laila’s first born, Aziza (Nikita Tewani) the tension
lessens and they learn to bond.
Nadine Malouf and Antoine Yared |
They form a quiet coalition
against Rasheed’s wrath and realize that together is easier than being divided
over a man that has no regard for women. Things quiet down somewhat when Laila
gives birth to a son Zalmai (Abraham German on opening night).
(I’m not sure if it’s too
early in my remarks to acknowledge that Rasheed is a no-goodnick, but I’ll
insert them here anyway.) Kadri’s performance is so true to form and so
wonderfully executed as the bastard he plays says volumes about the wonderful
actor he is, and that’s a fact.
Every time he whipped his
wives with his belt, shivers went through me. Every time he found out about
their wanting to leave, or in fact did sent shivers through me. Every time he
raped his wife shivers went through me. Every time he pulled Miriam by the
hair, sent shivers through me. When he sent Aziz off to an orphanage, shivers
went through me.
With Carey Perloff ‘s deft
direction and staging and Malouf and Ibrahim working together in productions at
ACT and Theatre Calgary there is nothing unusual about the acknowledgements of
the women’s sisterhood and resilience with the promise of peace in their
lifetime.
Haysam Kadri and Nadine Malouf |
A look, a shrug or a movement
from one will trigger an action from the other that is as natural and unifying as
I see between my three adult daughters good, bad or indifferent. One could not
find better performances in this show even if one were looking.
The large cast is made up of
many playing multiple roles including Lanna Joffrey who plays Fariba and Nana Miriam’s
mother. Arden Pala shares the role of Zalmai with Abraham German. Antoine
Yared, Kris Zarif and Jason Kapoor and Joseph Kamal, Leila’s father is seen
later on as an interrogator.
The creative team includes costume
designer Linda Cho and Stephen Buescher choreographs. It all comes together
splendidly.
“One could not count the moons
that shimmer on her roofs,
Or the thousand splendid suns that hide behind her walls.” (Saib-e- Tabrizi from his poem “Kabul”)
Or the thousand splendid suns that hide behind her walls.” (Saib-e- Tabrizi from his poem “Kabul”)
The thousand suns that shimmer
over Afghanistan also shine in the hearts, minds and souls of Miriam and Laila.
The times they are a changing.
Enjoy!
See you at the theatre.
Dates: Through June 17th
Organization: The Old Globe
Phone: 619-234-5623
Production Type: Drama
Where: 1363 Old Globe Way, Balboa Park, San Diego, CA 92103
Ticket Prices: Start at $30.00
Web: theoldglobe.org
Venue: Donald and Darlene Shiley Stage
Photo: Jim Cox
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