Clive Barnes dance and theatre critic for The New York
Times was quoted as saying that “Hairspray” was Broadway’s ‘Great Big Gorgeous
Hit’.
If you’ve never seen it or it’s been too long
since you’ve last seen it, now is your big fat opportunity to do so. It’s here
in town at the Horton Grand Theatre by way of San Diego Musical Theatre through
Sept. 2nd.
Winner of eight 2003 Tony Awards
including Best Musical and directed by our own Jack O’Brien of Old Globe fame,
the Broadway cast starred Marissa Jaret Winokur as Tracy Turnbald and Harvey
Fierstein (the King or Queen of drag and the essential Edna Turnbald) as her
mother, Edna. Both won Tony’s for their respective roles.
Lauren King Thompson, Bethany, Emma Nossal |
“Hairspray”,
based on the New
Line Cinema film written and directed by John Walters who was also the creative
consultant for the musical, with Mark O’Donnell and Thomas Meehan who wrote the
book with original score by Academy Award nominated Marc Shaiman, and lyrics by
Scott Wittmann and Marc Shaiman, takes place in Baltimore, 1962 where things
‘they were a changin’. (Welcome to the 60’s)
For Baby Boomers and younger who may
not remember the ‘60’s here are a few dances that thrived then: ‘Stricken
Chicken’; ‘The Madison’; The Locomotion’; ‘The Handjive’; ‘The Bug’; ‘The
Pony’; ‘The Mashed Potato’ and ‘The Twist’.
Words like Afro, Beehive, Extensions,
Perm, Pig Tails, Pompadour, Skunking and Teasing were made popular. The Civil
Rights Act, Alfred Hitchcock’s “Psycho”,
JFK, Bay of Pigs, Peace Core, Cuban Missile Crisis and the death of
Marilyn Monroe were a few items that made history in the early 60’s. That we
were in for some trying times would be an understatement for years to come.
The originators of “Hairspray”
were able to incorporate some of these social changes into
the musical with out so much as blinking an eye and all done in fun. Would that
it were so easily accomplished in real time.
Cast of "Hairspray" |
It isn’t every day a musical comedy
becomes a hit when the big girl (Bethany Slomka as the quintessential Tracy
Turnbald) with the two -tone bouffant teased to hilt gets the hunk. Nickolas
Eiter is Link the handsome guy on the show whose almost going steady with the
most popular girl in town, Amber Von Tussle (Lauren King Thompson) falls for
Tracy in a turn about is fair play.
It isn’t every musical where the
bigot’s daughter ends up with the ‘black guy’, (in 2018 it would be
predictable) or a TV station whose lily-white advertisers don’t see black as a
color, becomes integrated.
And not everyone’s family in the 60’s was well…that
different. In particular Tracy’s parents are as unusual as they come, with John
Massey as the soft -spoken Edna trying to look petite and Steve Gunderson as
her entrepreneur and husband. They become the adored couple of the show, and
are such fun to watch. He/she towers above him and (Edna) is made up to
outweigh Wilbur by at least 100 lbs.
But on this particular journey all of
the above happens.
With the magic of musical theatre under J. Scott
Lapp’s direction and Don Le Master’s baton, “Hairspray” starts off with a bounce and never once looks
back or stops to take a breath.
The story line is simple: Tracy
Turnbald, an overweight, 15 year old high school teen loves to dance. The
popular television show, ‘The Corny Collins Show’, a trendy day -time dance
show is having a contest to see who the best dancer is in the city of Baltimore.
Tracy wants to be a contestant, but
we know the show has a fix in for her rival, Amber Von Tussle (Thompson).
Amber’s mother, Velma (Eileen Bowman at her very best) is the honcho who gets
to make all the important decisions, including who can or cannot audition, and
there is NO way it’s going to be Tracy. Together mother and daughter they are
as effective as chopped liver on white bread with mayo.
The struggle of ‘Who’s to be or not
to be on the show’ continues through two acts with no less than nine scenes of
high -octane music, ‘Tight Hold’ Hairspray, and array of some snappy and
colorful dancing choreographed by Jill Gorrie.
When Tracy finally becomes a regular (overcoming
way too many obstacles to mention including a stint behind bars) she becomes an
overnight teen celebrity to some but a pain in the butt to the powers that be
who did not want her on the show. They thought her too BIG (in size), too loud,
too cozy with the African American community and too dumb to be a part of
‘their world’
One of the most important social upheavals of the
century, integration, was about to happen right in front of our eyes and it all
takes place (a la Hollywood and Broadway) in the uplifting and bouncy
production of SDMT’s “Hairspray”.
The young and extremely energetic cast that shake
the house up with such lively numbers as “Welcome to the 60’s”, “Good Morning
Baltimore”, “You Can’t Stop The Beat”, “Hairspray”, “Without Love” “Mama I’m a
Big Girl Now”, “Tight Hold”, and of course “You’re Timeless To Me” are to be
given high grades. They ROCK!
Big gal makes good is at the crux of “Hairspray”
but one of the most important social upheavals of the century, integration, was
about to happen right in front of our eyes and it all takes place (a la
Hollywood and Broadway) in the uplifting and bouncy production of San Diego
Musical Theatre’s “Hairspray”.
Most of the fun in Hairspray though is in watching the chemistry between Tracy’s mother Edna (John Massey in absolute hysterical in drag and perfectly suited to Edna’s personality) and her father Wilber, (Steve Gunderson who plays multiple roles and is loving it, is the antithesis of Edna). “You’re Timeless To Me”
SDMT talent also includes Zackary Scott Wolfe as
the smooth M.C. Corny Collins; Kenneth Mosley is Seaweed J. Stubbs (a excellent
dancer with voice to match) is the handsome boyfriend of color to Tracy’s loony
best friend Penny (Emma Nossal is a hoot).
Penny’s bigoted mother Prudy (Debra Wanger having
a blast as the coo coo Mom) is another prime example of the not so pretty
racism that comes out with her blatant bigotry that is still rearing its ugly
head today.
Eileen Bowman is Velma Von Tussle, the in charge
person who gets to make all the decisions about who is in and who is out of the
dance show. She’s another bigoted dragonfly who does her best (and she is good
at it) to keep the show white bread lily white and without Tracy.
She gets her point across in “Velma’s Revenge”
and “(The Legend of) Miss Baltimore Crab”. In contrast, Eboni Muse (seen
recently in “The Buddy Holly Story”) is terrific as Motormouth Maybell the
owner of a Black record shop/hangout belting out “Big Blonde and Beautiful” and
“I know Where I’ve Been”.
Kudos again to Bethany Slomka, who is recreating
the role once again that brought her instant accolades from the entire
audience. If anyone doubts that she is having fun as Tracy, think again. She’s
loving it.
Bethany Slomka |
Hats off to Michelle Miles (lighting),
Peter Herman (wigs), Kevin Anthenill (sound), Mike Buckley (sets), of course
Janet Pitcher for her creative costumes for Edna, Motormouth and Velma.
“If life were everything it should be, it
would be more like Hairspray.” (New York Times)
Have fun with this.
See you at the theatre.
Dates: Through Sept. 4th
Organization: San Diego Musical Theatre
Phone: 858-560-5740
Production Type: Musical
Where: 444 Forth Ave. San Diego, 92101
Ticket Prices: $30.00-$70.00
Web: sdmt.org
Venue: Horton Grand Theatre
Photo: Ken Jacques
Wonderful review! Although Don LeMaster is the Musical Director, the piano conductor for this production is Andrew Orbison :)
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