David Ives’ “All In The Timing” is a novelty piece. Quirky
would be another way to describe it. Written somewhere between the late 80’s
and early 90’s, there were about fourteen short (very short) one act plays that
Ives submitted. Most theatres present six and those usually take up about 70-80 minutes making it as
long as a one act play might take.
Artistic director of NCR David Ellenstein has selected a six-character
ensemble for the six one acts, some using all of the players, some using two
and you get the idea. Those in this present incarnation include: Taylor Renee
Henderson, Uma Incrocci, David McBean, Noelle Marion, Christian Pedersen and
Omri Schein.
If you didn’t get the hint about the title when you entered
the theatre and saw the mechanisms of a clocks - movements in the background and on the stage itself, of
set designer Marty Burnett’s well imagined playing space, then some of the
skits might not resonate either.
The sketches are fun but also play with our minds. In ‘Sure
Thing’ a young girl Bette (Noelle
Marion) is sitting at an outdoor restaurant drinking coffee and reading a
paperback (Faulkner’s “The Sound and the Fury”).
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| Noelle Marion and Christian Pedersen |
A man, Bill (Christian Pedersen) approaches, (tries to pick
up on her) and asks if the empty seat next to her table is taken. What ensues
are a series of possible answers, false starts, mistakes and miscalculations
off set by the ding of a bell between each set of answers until they settle on
one answer that seems comfortable to each. The skit is pinpoint fast moving and
each new approach is halted by a bell, and another scenario begins with a
different ending.
‘Foreplay, or the art of the Fugue’ is one Ellenstein
substituted for Philadelphia. Although I have seen this play on several
occasions, I will admit “Foreplay, which I don’t
recall, was not my favorite. I have seen the one with "Philadelphia and rather did enjoy that one, but you can't have everything.
As you might have guessed Foreplay' play on words is about golf. This time
miniature golf on a course called Lilly-Put Lane (ouch) with the accent and
lingo tilted in the direction of the far east.
 |
| Omri Schein and Taylor Renee Henderson |
Three couples Schein, McBean and Pedersen are playing golf
with three different partners as the talk of golf gets juxtaposed with sex as
the underlying dialogue with lots double entendre giving the audience lots o’
laughs. If you are a golfer, it will tickle your funny bone.
In one of the funniest, ‘Words, Words, Word’, three chimps (Schein,
McBean and Incrocci) are locked in a room for observation to see they can write
Shakespeare’s “Hamlet”. The theory is
that if they bang on the keys of their typewriters (yes typewriters) long enough,
sooner or later they will type out the play “Hamlet”.
All three actors, appropriately named Swift, Milton and Kafka
are pretty adept at acting like chimps, ferreting out little gnats from their
hair, biting off chunks of banana, and scratching under their armpits. Uma
Incrocci, whose Chimp name is Kafka prints out lines of K’s. The other two make literary jokes about their
identities as well.
 |
| David McBean and Taylor Renee Henderson |
“The Universal Language” finds Dawn (Taylor Renee Henderson )
and Don (McBeane) together in a room set up by Don as a classroom for those
interested in learning a new language, Unamunda, that he created.
When Dawn starts the lesson she tells Don she stammers and
she hopes this new language will help her overcome her impediment. Undaunted,
he proceeds to teach her this gibberish language (sounding like a page out of Larry
Shue’s “The Foreigner”) which turns out to be a tongue twister of dazzling
proportions.
McBean is amazing at this ‘new language’ that sounds like a
combination of Pig Latin, double talk, foreign phrases and over accented words
to name a few. His scam convinces Dawn to spend all her money taking the course
but, smitten with her, he convinces her not to waste her money.
“Phillip Glass buys a Loaf Of
Bread” and "Variations on the Death of Trotsky" are the last two. Phillip Glass
is a parody on Glass’ music, played dead- pan by Schein, with music set to
his buying a loaf of bread at the bakery. He runs into an ex lover and the
piece gets to be a more complicated and repetitive interpretation of the
composers music. The whole ensemble is in this piece.
 |
| Uma Incrocci and Omti Schein |
"Variations on the death of Trotsky" has Schein as Trotsky
and Incrocci as his wife. Trotsky is walking around with an axe buried in his
head but he doesn’t remember it happening. It seems that Trotsky lived a whole
day after he was bludgeoned with an ice axe to the head by his gardener Ramon (McBean
an hilarious turn as the Gardner Ramon).
Kafka was sure he would die by ice pick. His wife keeps
reading from an encyclopedia article saying that he died in 1940 but the book
she is reading from is dated 1990.
The play goes through several versions of his last days and
what might have happened to him before and during his death. But the most
bizarre thing about the piece is the fact that Trotsky doesn’t even feel the
axe in his head.
It’s crazy and outrageous fun. And if farce is your thing and time matters you are in the right place. It’s just what the doctor ordered. All six actors worked their collective butts off making this show enjoyable, somewhat crazy and most of all just plain fun.
It’s crazy and outrageous fun. And if farce is your thing and time matters you are in the right place. It’s just what the doctor ordered. All six actors worked their collective butts off making this show enjoyable, somewhat crazy and most of all just plain fun.
Matt Novotny’s lighting along with Aaron Rumley’s use of
sound and projections are creative, and Elisa Benzoni’s costumes, and of course
resident set designer Marty Burnett’s talents add to the overall quality of
NCR’s productions.
 |
| Uma Incrocci, Omri Schein and David McBean |
The skits are clever, some more than others. The good news is
that Ellenstein has gathered the right people, at the right time put them
together in a timely manner and together makes this a timepiece for the
generations to come.
Enjoy.
See you at the theatre.
Dates: Through May 5th
Organization: North Coast Repertory Theatre
Phone: 585-481-1055
Production Type: Comedy
Where: 987 Lomas Santa Fe Drive, Solana Beach, 92075 Suite D
Ticket Prices: Start at $49.00
Web: northcoastrep.org
Photo: Aaron Rumley
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