Jules Vern’s 1872 classic adventure story “Around The World In
80 Days” has been made into a motion picture and adapted to several play
versions most following the speedy journey/ adventure of Phileas Fogg’s travel’s and travails around
the globe stopping off for quick reconnoiters in the various countries,
continents and hotel lobbies and returning to the scene of the crime in time to
catch all those who doubted, off guard.
New Village Arts Theatre in Carlsbad and (artistic) director
Kristianne Kurner have taken the oft produced Vern play and added another
dimension to an already over two hour production with a commissioned original
musical score of twelve songs by Joseph Freeman and Renee Moreno or the
Shanyannes.
Ensemble |
Musical Director Tony Houck arranged and orchestrated the
music. Unfortunately it was more of a minus than a plus for yours truly. The
day I attended, the lyrics sounded garbled and out of sync with the actors on
stage, their dialogue muffled by the music from the on stage band dressed in Pirate
garb designed by Emily Wilson.
The musical numbers in the production are interwoven throughout
Laura Eason’s adaptation of Vern’s “Around The World In 80 Days” where it will be
staged at NVA through Dec. 22nd.
Frankie Alicea-Ford as Phileas Fogg |
Mysterious, meticulous and methodical, Phileas Fogg (a
handsome and worthy Frankie Alicea-Ford) is at Vern’s center. At his Reform
Club where his whist partners are discussing a recent bank robbery where the
robber got away scot-free with fifty thousand pounds from the Bank of London,
Fogg offers a theory.
He describes how possible it would be for someone to rob a
bank and get away with it since the world has grown smaller with the completion
of the new Great Indian Peninsular Railway. It would be a mathematical fact
according to Fogg, thereby eluding the law.
By staking his ideas on his facts he contradicts some of his club
friends who insist that it would take three months. At this time, a twenty
thousand pound wager is agreed upon that sets this tale into motion.
To win the bet, he must make all the right connections.
However even without airline delays that are so much a part of our now daily
lives, unexpected trials and tribulations will get in the way of his fellow
travelers. And the race begins with his French, former circus performer now valet
Passepartout (a talented Audrey Eytchison).
Farah Dinga and Frankie Alicea-Ford (back) AJ Knox and Audrey Eytchison as Passepartout (front) |
The trek begins on the train from London to Dover with the
first stop in Brindisi, Italy by way of Calais and from there to Bombay via
Suez. It is here we meet up with Inspector Fix (AJ Knox in a perfect role that
suits him comfortably) who is convinced that Fogg is the thief that
masterminded the bank robbery.
If you combined Colombo, Inspectors Clouseau and Poirot, Knox
is their heir apparent. He hides behind newspapers, peeks around corners and
is, in general a royal pain in the arse.
His goal is to stop Fogg at his own game, slow him down in
anticipation of an arrest before he sets foot back on British soil.
Unfortunately for him ‘twas not the case. Of course as in all good detective
stories Fogg, unaware of his suspicions, is clearly one step ahead.
Ensemble with Jasmin January in center |
Eight versatile actors and a talented ensemble play several characters.
All can sing, most dance (Jenna Ingrassia-Knox choreographs), others have
skills not necessarily a requirement for a long and convoluted journey, but
necessary for entertainment value, and entertain and please it does.
We are invited to see a circus act with Passepartout as an
acrobat and gymnast. They ride elephant and hijack a ship. Alexander X Guzman plays
many ensemble roles along with some nifty hand walking. Jasmine January knocks
“The Ballad of Captain Blossom” out to the high seas. Olivia Pence is Colonel
Proctor and ‘others’ and Rae Henderson is Captain Speedy and ‘others’.
In each production a performer from the “Mainstage Players”,
New Village Arts program for actors with special needs under the watchful eyes
of Samantha Ginn, actor, teaching artist and teacher is on stage.
The entire goings on takes
place on Tanya Orellana’s ship looking deck with portholes, boxes and sundries
with props hanging in plain sight including a number of flags (including the LGBTQ)
representing each country visited including the city of San Francisco, ergo the
rainbow.
One of the most interesting characters we meet up is Farah
Dinga, another multi talented actor, who sings as well taking on the part Aouda,
daughter of a wealthy merchant and recent widow. In India, Fogg rescues her
after a near death mishap and the two become traveling companions, which in
turn puts a little zip in Foggs step.
Ms. Dinga’s Aouda is so convincing, and yes a bit coy as the
sought after and beautiful widow that she enchants Fogg to the degree that in
his haste to reach his goal, he falls head over heels but doesn’t recognize it.
Farah Dinga and Frankie Alicea-Ford |
Technically the production rises to the occasion with Jonah
Gercke’s projections, Becky Goodman’s lighting, Farah Dinga’s fight
choreography and Cassie Langan’s properties designer.
Kurner was inspired to direct Vern’s adventure tale after having
traveled the world this past year with stops in Thailand, Uganda, Zanzibar, Tanzania,
Italy and London. Pity she was over a hundred years to late to run into Fogg.
She might have hopped on the train in Dover and had a different adventure. Having
said that, her take on the entire escapade is fun, colorful and entertaining.
See you at the theatre.
Dates: Through Dec. 22
Organization: New Village Arts
Phone: 760-433-3254
Production Type: Adventure/Musical
Where: 2787 State Street, Carlsbad, CA
Ticket Prices: Start at $25.00
Web: newvillagearts.org
Photo: Daren Scott
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