“Into The Breeches” More Than A WWII Backstage Comedy.

                       

                               

George Brant’s 2018 comedy, set in 1942, now showing at The North Coast Repertory Theatre in Solana Beach, is as much a backstage comedy as it is a lesson on how far we as a society have or have not come on accepting changing social issues as the country changes.

But as an audience member looking in on the comings and goings of a group of female players taking it upon themselves to keep their favorite theatre in Providence, Rhode Island open during war time, when most of the men were off at war it's another story. Things get off to a rocky start when the, long on tooth ingénue, Celeste Fielding, (Katie MacNichol) comes to theatre and finds her fellow competitor Maggie in charge. To say that Celeste trusts Maggie as far as she could throw her would be an understatement, but the show goes on in spite of the potential pitfalls, like board president Ellsworth Snow (James Newcomb). 

James Newcomb, Rosemarie Chandler, Mikaela Macias, Geno Carr
Taylor Henderson, Katie MacNichol, Melanie Lora and Shana Wride

The plays scheduled for this particular season are mostly roles for men… Shakespeare’s Kings Henry IV and V combined. That could prove a potential pitfall for the all-volunteer women ensemble. So, says Ellsworth Snow. More on him later.

For the last 26 years The Oberon Theatre in Providence R.I. has been putting on plays by Shakespeare entertaining their neighbors in Woonsocket and Pawtucket. But… this year most of the men are overseas fighting a war. Maggie Dalton’s (Melanie Lora) husband Andrew always directed. This year, he sends Maggie to R.I.., blessings and all to direct in his place. 

Rejected to fight in this war, Stewart Lasker (Geno Carr) the stage manager is classified as Swish (Look it up). Alongside Stewart is African American Ida Green (Taylor Henderson) the company’s costume designer, who is not allowed to act or give blood, because of the color of her skin. (true). That reduces a potential cast of over thirty parts to about five playing as many parts as costumes allow (Renetta Lloyd and Roz Lehman). All who come to audition are women, lest we forget.   

In case you hadn’t guessed, the women take on the men’s roles, ergo, the breeches. And just as a tease… in one of the funniest scenes in the show, they learn to walk like men. At Celeste’s suggestion, Ida brings out enough bean bags attached to a harness of sorts for each of the women to wear, to simulate (Ahem the men’s business) so the women can feel what it’s like to walk like a man. It’s silly little scenes like these that get a good laugh from the audience, and there are many like that. 

Take for example Ellsworth Snow (James Newcomb) president of the Theatre Board, who refuses to pay the women for playing the men’s roles. (Yes, the men got paid but the women did not. (What say you to that ladies?) Ellsworth’s wife Winifred (the perfect pitch comic Shana Wride) convinces him to put up the cash as she persuades him to give in to every other want the group needs. Oddly matched, the two are the perfect foils for all that takes place on stage and off stage. (Set by Marty Burnett)

Both Mikaela Macias and Rosemarie Chandler as June Bennett and Grace Richards come to audition and seem to have some basic knowledge of Shakespeare so they are hired on a dime. Both have husbands serving overseas. By the time the show is ready and everyone in places and “Lights up” - Curtain Time, all is well. 

Geno Carr

Under the deft direction of Diana Van Fossen and of course with playwright Brant fairly new play,  a new world of first’s plays out in front of us. How naïve we all were about gender equality. Even today women make less for doing the same job as men. If we aren’t aware of this fact today, we’ve been hiding under a rock.  But I would be remiss if I didn’t tell you that the race issue was brought home to me in my own neighborhood before I was a teen, and anti-Semitism, the same. 

While “Into The Breeches” started a bit slow and could have been cut a bit, it brought home more than a behind the scenes comedy; it hit home in places we thought we had overcome. On the other hand, it is a tribute to all those involved in theatre, paying homage to everyone who ever stood in front of an audience and gave it their all, as do those in the cast of “Into The Breeches:.

Cast 

We still have a lot more work to do.

Credit to Peter Herman for the 40’s style hairdos and wigs, Sound Design and Production, Ryan Ford, Lighting Design, Matt Novotny, Prop Designs Cindy Rumley, and Christopher M. Williams, Stage Manager. 

See you at the theatre.

Enjoy.

Dates: Through Nov. 13

Organization: North Coast Repertory Theatre

Phone: 858 481 1055

Production Type: Comedy

Where: 987 Lomas Santa Fe Drive, Solana Beach

Ticket Prices: $54.00 -$65.00

Web: northcoastrep.oeg

Photo: Aaron Rumley

“Into The Breeches” More Than A WWII Backstage Comedy.

George Brant’s 2018 comedy, set in 1942, now showing at The North Coast Repertory Theatre in Solana Beach, is as much a backstage comedy as it is a lesson on how far we as a society have or have  not come on accepting changing social issues as the country changes.

But as an audience member looking in on the comings and goings of a group of female players taking it upon themselves to keep their favorite theatre in Providence, Rhode Island open during war time, when most of the men were off at war it's another story. Things get off to a rocky start when the, long on tooth ingénue, Celeste Fielding, (Katie MacNichol) comes to theatre and finds her fellow competitor Maggie in charge. To say that Celeste trusts Maggie as far as she could throw her would be an understatement, but the show goes on in spite of the potential pitfalls, like board president Ellsworth Snow (James Newcomb). 

The plays scheduled for this particular season are mostly roles for men… Shakespeare’s Kings Henry IV and V combined. That could prove a potential pitfall for the all-volunteer women ensemble. So, says Ellsworth Snow. More on him later.

Geno Carr

For the last 26 years The Oberon Theatre in Providence R.I. has been putting on plays by Shakespeare entertaining their neighbors in Woonsocket and Pawtucket. But… this year most of the men are overseas fighting a war. Maggie Dalton’s (Melanie Lora) husband Andrew always directed. This year, he sends Maggie to R.I.., blessings and all to direct in his place. 

Rejected to fight in this war, Stewart Lasker (Geno Carr) the stage manager is classified as Swish (Look it up). Alongside Stewart is African American Ida Green (Taylor Henderson) the company’s costume designer, who is not allowed to act or give blood, because of the color of her skin. (true). That reduces a potential cast of over thirty parts to about five playing as many parts as costumes allow (Renetta Lloyd and Roz Lehman). All who come to audition are women, lest we forget.  

In case you hadn’t guessed, the women take on the men’s roles, ergo, the breeches. And just as a tease… in one of the funniest scenes in the show, they learn to walk like men. At Celeste’s suggestion, Ida brings out enough bean bags attached to a harness of sorts for each of the women to wear, to simulate (Ahem the men’s business) so the women can feel what it’s like to walk like a man. It’s silly little scenes like these that get a good laugh from the audience, and there are many like that. 

Take for example Ellsworth Snow (James Newcomb) president of the Theatre Board, who refuses to pay the women for playing the men’s roles. (Yes, the men got paid but the women did not. (What say you to that ladies?) Ellsworth’s wife Winifred (the perfect pitch comic Shana Wride) convinces him to put up the cash as she persuades him to give in to every other want the group needs. Oddly matched, the two are the perfect foils for all that takes place on stage and off stage. (Set by Marty Burnett)

Both Mikaela Macias and Rosemarie Chandler as June Bennett and Grace Richards come to audition and seem to have some basic knowledge of Shakespeare so they are hired on a dime. Both have husbands serving overseas. By the time the show is ready and everyone in places and “Lights up” - Curtain Time, all is well. 

Under the deft direction of Diana Van Fossen and of course with playwright Brant fairly new play,  a new world of first’s plays out in front of us. How naïve we all were about gender equality. Even today women make less for doing the same job as men. If we aren’t aware of this fact today, we’ve been hiding under a rock.  But I would be remiss if I didn’t tell you that the race issue was brought home to me in my own neighborhood before I was a teen, and anti-Semitism, the same. 

While “Into The Breeches” started a bit slow and could have been cut a bit, it brought home more than a behind the scenes comedy; it hit home in places we thought we had overcome. On the other hand, it is a tribute to all those involved in theatre, paying homage to everyone who ever stood in front of an audience and gave it their all, as do those in the cast of “Into The Breeches:.

We still have a lot more work to do.

Credit to Peter Herman for the 40’s style hairdos and wigs, Sound Design and Production, Ryan Ford, Lighting Design, Matt Novotny, Prop Designs Cindy Rumley, and Christopher M. Williams, Stage Manager. 

See you at the theatre.

Enjoy.

Dates: Through Nov. 13

Organization: North Coast Repertory Theatre

Phone: 858 481 1055

Production Type: Comedy

Where: 987 Lomas Santa Fe Drive, Solana Beach

Ticket Prices: $54.00 -$65.00

Web: northcoastrep.oeg

Photo: Aaron Rumley

 

“First Date”: OnStage’s Funny, Frenetic and Physically Demanding Musical, Is A Must See.

 

First dates, or as some might call them, blind dates may not be for everyone but in these times where theatre might be our only escape from the mishagas of the real world, it’s a winner; a diversion or better yet, an alternative from the news and with the possibly of finding your one and only. What’s to lose? (If only)

 

Don’t mistake. For Aaron (Benjamin Monts) it’s pretty real and quite traumatizing. Shy, at best. Nerdy, to say the least. And left standing under the Chuppah alone, he had lots of baggage to unfold before putting himself out there. As Mr. Everyman, most shy and unassuming can identify.

 

Benjamin Monts, Andrew Gutierrez, Kylie Young and Shelby Beltram

 

 

On the other hand, Casey (Kylie Young) is an old hand at first/blind dates and makes no bones about it. But that, it is.  She won’t commit. She’s more of a free agent; somewhat of a bohemian, hip and at first glance, quite the opposite of Aaron but likeable in her own way. 

 

But that’s not all there is to the Austin Winsberg (Book), Alan Zachary & Michael Weiner (Music & Lyrics) musical. If it was just the two, it would have been boy meets girl on first date, after a few drinks and an exchange of niceties and so long, it’s been nice to know you.

 

But the creators of “Blind Date” that premiered on Broadway in 2013 still resonates today with a super energetic cast of seven, five popping on the stage singing of all that could go wrong on a first date, somewhat like a Greek Chorus oft times family members, (past and present) and friends supporting each in their efforts, taking on a life of their own in real time.  

 

Enrique Arana and Andrew Gutierrez

 

When Aaron walks into the ‘Grub Spot’, their meeting place, it is pretty evident that he has been set up for a blind date. He’s nervous and looks uncomfortable. The local bartender (Enrique Arana, who plays several characters as do the rest) takes him under his wing and with a few changes turns his look from uptight to casual (tie off, untucked shirt and open collar). She on the other hand, has the confidence of one who’s been there before (“First Impression”).

 

Supporting cast along with Monts and Young (who stepped into the role following Adelaida Martinez departure) includes Sheby Beltran, Jaden Guerrero, Andrew Gutierrez, Enrique Arana and Emily Candia who are all excellent making director Kevin “Blax” Burroughs, whose timing is impeccable, job look easy.

 

Jaden Guerrero and Shelby Beltran

 

Both Monts and Young have this push me pull you thing going. Just when one seems settled, someone from their outside world comes and shows another revealing characteristic, like when Aaron reveals he is Jewish (“The Girl for You”) and Casey’s priest (Enrique Arana) makes an appearance, and Shelby Beltran the talented runaway bride. It does get complicated after a while but its so damn funny, even this a skeptic couldn’t help but lol.

 

Director Kevin “Blax” Burroughs is also credited as musical director, lighting designer and choreographer. Now that’s talent. Benjamin Goniea on keys is also Music Director. Roy Jenking is on Bass and Preston Lange is on drums. Costume design credits go to Brad Dubois, sound mixer. Remus Harrington and Set design, Reiko Huffman.

 

For some fun and, perhaps comparisons, “Blind Date” should be your cup o’ tea.

 

 

Dates: Through Nov. 6

 

Organization: OnStage Playhouse,

 

Phone: (619) 422-7787

Production Type: Musical Comedy

Where: 291 3rd Ave, Chula Vista 91910

 

Ticket Prices: Adult $25, Senior / Military / Educator $22, Student / Under30 $15

 

Web: www.onstageplayhouse.org

 

Photo: Daren Scott