Following on the heels of Ion’s successful run of “The Ballad
of Emmitt Till” by Ifa Bayeza, based on the true accounting of the deliberate
and race based lynching and ultimate death of young (14) Till in 1955
Mississippi, when the country was at the peak of the Civil Rights Movement, The Ion's are prodding us again with another look at what some might call a different type
of uprising.
Now through Sept 9th Ion Theatre is presenting the
San Diego premiere of “The North Plan”. It is Jason Wells’ 2012 part tongue in
cheek -part politically shrewd enough to send shivers up your spine play about
a government takeover by hostile forces.
The play has just enough truth, innuendo and ambiguity in it,
by today’s standards, to frighten the bejeezus out of most theatregoers given
the political implications and atmosphere in this current administration… and
it was written years earlier. Perhaps Wells saw something we failed to see or perhaps
it was overlooked in our own zeal to forget the past and move on.
Daren Scott, Samantha Ginn, Tina Machele Brown |
The play opens to our listening in to a host of vulgarities
coming from a holding cell in the back room of a local police station in the small
Missouri town of Lodus. It’s a small sliver of space held together with mesh wire
on one side, a locked and chained door in front and the concrete walls of the
building on the side and back. There’s a door leading to a corridor and the
Chief’s office. (Jonathan Gilmer)
The loud and foul motor -mouthed prisoner ranting about her
husband, the one that tried to drown her is Tanya Shepke (an excellent Samantha
Ginn). Her rants go on and on about her kids who might now be taken away from
her, and who may have to live with her reviled in-laws, and her work and her
this and her that. She’s sober now, slept off her drunk and why is she still
here?
Unfortunately for her she turned herself in for driving under
the influence (because she’s a good citizen or she was afraid of being pulled
over?) and lo and behold she had some outstanding warrants, ergo the cuffs and
dismissal of her rants by administrative assistant Shonda Cox (Tina Machele
Brown).
Shonda, an African-American deputy caught in the middle of a complex
situation, is sitting on a folding chair reading a pre-law textbook and taking
notes. Shonda, we learn, has no opinion and no answers for Tanya; she’s just a
law enforcement placeholder.
Tina Machele Brown, Don Loper, Daren Scot and Samantha Ginn |
After a fashion Chief Swenson, (a calm, cool and collected
Don Loper) pokes his head into the room informing Shonda that he will be
putting a political prisoner, Carlton Berg (Daren Scott), in the cell with
Tanya for a short while until Homeland Security comes to question, (Enhanced
Interrogation) and then transport him to one of the camps set up for political
suspects.
Berg, we learn is a mid-level government employee that works for the
State Dept. He just happened to stumble on a database of names and profiles of
individuals and groups the government found to be enemies of the state.
It could have been in the McCarthy era and Communism, the
Nixon enemy’s list and Watergate, or the one referred to as “The North Plan”.
In a short history lesson many of us of a certain age might have
forgotten, and in broken sentences in an effort to explain to both Tonya and
Shonda, (both too young to have even known about what is happening), he blathers
on in detail dating back to the Iran Contra kerfuffle.
Then high- ranking Marine Officer Oliver North acting either
on his own or in cahoots with other thugs in the Reagan White House, formed a
shadow government to do the bidding of the US Government (like invade another
country) if the our duly elected officials refused to take action. The plan
would also authorize our government to round up anyone here considered to be a
security threat, dissident or rabble-rouser.
Daren Scott and Samantha Ginn |
According to Berg, it’s happening again; a shadow government
is emerging. “They are arresting people. They are censoring the media.” In his
mind ‘The North Plan’ in the form of Department of Homeland Security (DHS) is
alive and well and he has the evidence to prove it. His name is on the list,
and so to the camps.
In an act of desperation, he begs Tanya’s help. With careful
instructions on where the evidence he stored is located, and a bundle of money to
her if the task is completed, he implores her to act ASAP.
Somehow when she is released, which will happen, she must
come back and retrieve the computer without being seen by the Chief or Shonda and
pass it on to a newspaper friend who will expose what Berg calls, the hostile
takeover of our government. . (“Maybe it just looks like a revolution.” “Maybe
there are smarter people than us working this stuff out right now.”)
And that’s in Act I, all 35 or so minutes of it.
Back at the station we find Shonda behind a desk doing her
work and almost on the verge of helping Berg out. She’s in between the devil
and the deep blue sea because Berg convinces her that she may be on that
enemies list as well.
In a turn about second act, two Homeland Security agents Dale
Pittman and Bob Lee (Jake Rosko and Fred Hunting) in black suits (of course) come
bursting into the holding area, eyes like deer in the headlights looking for
Berg. Dah, he’s behind bars.
The two are like Heckle and Jeckle played with exaggerated
cartoon like characters gripping drawn handguns, sweeping the back room as if
someone is after them. Cartoon or not, just their appearance is enough to send both
shivers and chuckles. (“Are we killing people?”)
Somewhere else lurking in the building, Tanya is tiptoeing about
eyeing a way to get to Berg’s computer. Looking altogether different in another
set of clothes, some might call an outlandish looking outfit (Mary Summerday),
with a cloth bag big enough to hide whatever she has in mind to hide, she
manages to go unseen for a while.
The Chief lumbers in occasionally to reassure us that he is the
more stable of all the characters and justice will be served in his own time
and his own way.
Don Loper and Daren Scott |
Aiding and abetting all this crazy political suicide is
director Isaac Fowler. Lucky for us he has an eye and an ear for both glib and reality
while keeping us pinned against the wall fidgeting and wondering how this will
all play out.
Armed…oops, with an outstanding and completely committed
(operative word) cast, “The North Plan” couldn’t be in better hands than with Samantha
Ginn as the over the top foul-mouthed eccentric, who has always shown her
versatility as “Sylvia” the dog in the play of the same name and Charlotte
Corday in “The Revolutionists”.
She takes Tonya to higher places both physically and in tone in
creating a character like Tonya. We can laugh at her stupidity and yes
ignorance, yet there is a vulnerability about her. Ginn takes the prize home
for her superb performance.
Both Jake Rosko and Fred Hunting are a hoot as they flounder
around in incompetency trying to nail Berg. Some of the funniest capers involve
the two men, especially Hunting’s Bob, and his complaints of being second
fiddle to Dale rather than being co equals.
Don Loper and Tina Machele Brown, both in law enforcement but
having different places in the history of it all, give solace that at least one
will prevail and on the side of justice.
Daren Scott is thoroughly believable as the sought after and
hunted. While some of the initial give and take repartee in the beginning might
have been toned down for the audience to grasp the why of his plight, his
complete emersion in his character gives cause to the reality of it all then
and now.
With calls of fake news and downright lies coming from this
White House, who knows if there is say a “Bannon Plan” plan in the works we
don’t know about?
Wells’ play has its moments of serious disbelief, but Fowler
keeps his cast focused and that proves to be a plus for the overall production,
as dauntingly funny and outlandish as it might be. Are there over the top
moments? Yes. Does the second act devolve into chaos? Yes, but keep your eye on
the bouncing ball.
Two phrases come to mind and they are not original by any
means:
“Those who cannot remember the past are condemned to repeat
it”, (George Santayana).
“Many a true word is said in jest” (Shakespeare)
Enjoy.
See you at the theatre.
Organization: Ion Theatre
Phone: 619.600.5020
Production Type: Comedy
Where: 3704 6th Avenue, San Diego, CA92103
Ticket Prices: $35.00
Web: iontheatre.com
Venue: BLKBOX
Photo: Daren Scott
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